Damhave belts

December 26, 2009

louis vuitton belts The genesis of the New York-based label Imitation of Christ in 2000 was anything but holy. Reacting to what they believed was the over-commodification of fashion, the label’s co-founders and art-school Louis Vuitton monogram leather Utah Ecusson beltdrop-outs r?Subkoff and Matt Damhave defiantly resurrected thrift-store finds by slashing them into pieces, removing the label, incorporating subversive text and slapping on a cross insignia. As a result, their rise to darling status was swift. At one point, thanks in part to the modelling/consulting efforts of Louis Vuitton monogram leather solid SILVER round buckle beltlong-time friend and disciple Chloe Sevigny, herself a thrift-store devotee, the duo showed a collection in a funeral parlour, watched on by Vogue’s Anna Wintour and Andre Leon Talley. But good things don’t last forever - not even for a divinely-christened label - and now only Subkoff (born 1974) remains.

She works tirelessly to keep the faith alive with a team of equally politically-motivated colleagues who regard themselves more as social engineers than designers. Examples are many. In 2001, Subkoff- also a part-time indie film
Louis Vuitton monogram leather solid golden round buckle beltactress - and the Imitation of Christ team produced a short film starring Reese Witherspoon which was intended to illustrate the prevalence of sweatshops and child labour.

In a following collection, a mock auction was staged at Sotheby’s where models were presented as items for sale by an auctioneer. In 2002, Imitation of Christ trekked to Paris to hold a renegade show outside the Christian Dior venue, to which the models arrived in ambulances and made their appearances on stretchers in
Louis Vuitton monogram leather silvery prong closure belta presumed statement about the death of fashion. In a role-reversing show later that year, models were seated, with pen and paper in hand, waiting to critique guests who were escorted down the catwalk, in a poignant critique of the critical process itself. Is nothing sacred?

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